Oh. WOW. I love everything about this. Post apocalyptic conversations between generations? Our current society--all of it's absurdity and corruption and contradictions filtered through memory like a ghost. It reminds me a bit of Cormac McCarthy's the road in the BEST possible way. Eickmeyer has such a sharp way of constructing dialogue: grounded, poetic without being too intellectual, and effecting. I want to see this produced. It honestly deserves it. Great work."

Jonny Bolduc

"No matter where we are, we can only keep our children so safe. Make it from artillery fire or the bombshells dropped on the news, Kids will see hard things, sometimes inexplicable sometimes indescribable things, and ask the difficult questions. And keep asking which they should. Eickmeyer gives us a good dad doing his very best to explain a dark world. The monologue makes you feel even more deeply than you think, as it weighs the horrors of life and challenges us to decipher them for the innocent"

Scott Sickles

This is gripping tale of war and faith (or lack there of) harkens to the Christmas Truce with a modern and pressing significance. This examination of wartime stresses and fleeting reliefs makes for compelling theater. This is a play that deserves staging immediately.

Christopher Soucy

“I had the absolute pleasure of playing the dad in an audio drama podcast version of this play (with Broken Arts Entertainment). Fantastic script. You'll feel the full range of emotions when reading (or listening!) to this piece, right along with the characters. Each character is uniquely and fully developed and each has their moment to speak their mind. Well done”

Randy Hunt

“I saw this play as part of The Lost Years, a festival of art about the pandemic, at the Millibo Art Theatre, and it was a trip. It so perfectly captures the whiplash, the misinformation, and the ridiculously impotent way we got by during quarantine. It builds so many delightful beats of both physical and verbal comedy, and it calls for a chaotic transformation of the stage. The audience was eating it up because it really just was the perfect lampoon of that time.”

Kaily Anderson

“A haunting metaphor or fable (as all good monster stories are) for the seemingly inevitable weight of male violence that comes with adolescence and adulthood in this country - told with specific and thoughtfully imagined characters that make your heart ache for their youth and vulnerability. And so much potential as a radio play with dynamic outside ambiance and ominous monster sounds!”

Anya Martin